<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/10174/14448" />
  <subtitle />
  <id>http://hdl.handle.net/10174/14448</id>
  <updated>2026-05-28T17:13:45Z</updated>
  <dc:date>2026-05-28T17:13:45Z</dc:date>
  <entry>
    <title>Experimental phonetics on display: Heritage, science, and memory at the University of Coimbra Faculty of Letters</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/42054" />
    <author>
      <name>Lopes, Quintino</name>
    </author>
    <author>
      <name>Salgueiro, Ângela</name>
    </author>
    <id>http://hdl.handle.net/10174/42054</id>
    <updated>2026-05-27T10:06:18Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Experimental phonetics on display: Heritage, science, and memory at the University of Coimbra Faculty of Letters
Authors: Lopes, Quintino; Salgueiro, Ângela
Editors: CECELEWSKI, Juliusz; FOUGERON, Cécile; RIALLAND, Annie; DODANE, Christelle; GAO, Jiayin; PILLOT-LOISEAU, Claire; SHAO, Bowei
Abstract: In 2025, the PHONLAB R&amp;D project team will create a permanent exhibition at the University of Coimbra dedicated to the phonetician Armando de Lacerda (1902-1984) and the Experimental Phonetics Laboratory of the Faculty of Letters (1936-1979). The exhibition is the result of a joint effort by &#xD;
the Institute of Contemporary History, the Foundation for Science and Technology, the Rectory of the University of Coimbra, the Science Museum of the University of Coimbra, and the Faculty of Letters of Coimbra. This paper reports on the curatorial process and the scientific content that will be on &#xD;
display, organised into the following four sections: 1) Lacerda's pioneering &#xD;
work, 2) the work of the Coimbra phonetics laboratory, 3) the laboratory's &#xD;
collaborators, and 4) the creation of a sound archive of Portuguese regional varieties. The realisation of the exhibition presupposes a profound change in how the University of Coimbra perceives and promotes itself, as well as its scientific spaces and personnel. Due to open in November 2025 in the space &#xD;
formerly occupied by the phonetics laboratory at the Faculty of Letters — in a corridor to be named the Armando de Lacerda Wing — the exhibition will be permanent and bilingual, and will be open to the public free of charge. It is hoped that it will promote public interest in the history of experimental phonetics.</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Science diplomacy in a climate of nationalism: archaeology in Portugal between the World Wars</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/42037" />
    <author>
      <name>Lopes, Quintino</name>
    </author>
    <author>
      <name>Salgueiro, Ângela</name>
    </author>
    <author>
      <name>Pereira, Elisabete</name>
    </author>
    <id>http://hdl.handle.net/10174/42037</id>
    <updated>2026-05-27T10:01:03Z</updated>
    <published>2026-01-01T00:00:00Z</published>
    <summary type="text">Title: Science diplomacy in a climate of nationalism: archaeology in Portugal between the World Wars
Authors: Lopes, Quintino; Salgueiro, Ângela; Pereira, Elisabete
Editors: Miret, Marició; March, Eva; Castelao, Jose-Miguel; Puig, Albert
Abstract: The National Education Board (Junta de Educação Nacional, JEN), established in &#xD;
1929, enabled Portugal to play a role in the European and American drive to create scientific planning and funding institutions after the First World War, enhancing the importance of the Portuguese scientific community as an agent of science &#xD;
diplomacy and soft power. This chapter shows that JEN funding facilitated the participation of Portuguese scientists, researchers and professors in both formal and &#xD;
informal international science networks and enabled them to establish relationships &#xD;
with peers and persons in positions of power, thereby enhancing the role of science &#xD;
in diplomacy and international relations during the postwar period.</summary>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Templo romano em Évora entre o verbo e a imagem: território, memória   e emoção"</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/41700" />
    <author>
      <name>Martins, Ana Cristina</name>
    </author>
    <id>http://hdl.handle.net/10174/41700</id>
    <updated>2026-03-17T12:29:05Z</updated>
    <published>2026-03-01T00:00:00Z</published>
    <summary type="text">Title: "Templo romano em Évora entre o verbo e a imagem: território, memória   e emoção"
Authors: Martins, Ana Cristina
Editors: Romero Recio, Mirella; Salas Álvarez, Jesús; Martín-Esperanza Montilla, Paloma; Gago Gómez de Luna, Mikel
Abstract: Marcando fortemente a paisagem urbana de Évora, o templo romano tem domi&#xD;
nado, ao longo dos tempos, distintas narrativas sobre ele geradas, sejam elas escritas &#xD;
ou ilustradas, que povoam memórias e suscitam emoções em comunidades residen&#xD;
tes e viajantes que o observam e registam de modo diverso. Neste ensaio, centramo--nos, porém, na análise iconográfica, sobretudo no modo como a sua imagem tem &#xD;
sido apropriada com as mais distintas finalidades, como se a identidade de Évora &#xD;
estivesse nela contida e a parte - templo -, representasse o todo, ou seja, Évora com &#xD;
o seu imenso e complexo território e respetivas comunidades. // The Roman temple has strongly marked Évora’s urban landscape over the years, and &#xD;
different narratives have been generated about it, whether written or illustrated, &#xD;
populating memories and arousing emotions in resident communities and travellers who observe and record it in different ways. In this essay, however, we focus &#xD;
on iconographic analysis, above all on how its image has been appropriated for the &#xD;
most diverse purposes, as if Évora’s identity were contained within it and the part - the temple - represented the whole, that is, Évora with its immense and complex &#xD;
territory and respective communities.</summary>
    <dc:date>2026-03-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Premiar Arquitectas em Portugal</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/40395" />
    <author>
      <name>Aleixo, Sofia</name>
    </author>
    <id>http://hdl.handle.net/10174/40395</id>
    <updated>2026-01-12T23:33:24Z</updated>
    <published>2025-08-31T23:00:00Z</published>
    <summary type="text">Title: Premiar Arquitectas em Portugal
Authors: Aleixo, Sofia
Abstract: A vida e obra da 1ª arquitecta formada em Arquitecxtura em Portugal. Capítulo sobre o Prémio Maria José Estanco, um concurso nacional bienal de arquitetura, organizado pela Ordem dos Arquitectos (OA) em parceria com a Câmara Municipal de Loulé (CML), que distingue obras de arquitetas portuguesas que promovem a sustentabilidade sociocultural e a responsabilidade social da profissão, homenageando Maria José Estanco e valorizando o papel social da arquitetura.</summary>
    <dc:date>2025-08-31T23:00:00Z</dc:date>
  </entry>
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