<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/10174/1687" />
  <subtitle />
  <id>http://hdl.handle.net/10174/1687</id>
  <updated>2026-09-08T13:24:39Z</updated>
  <dc:date>2026-09-08T13:24:39Z</dc:date>
  <entry>
    <title>Biological motion: a quantification tool for actors? A brief experiment and commentary</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/42561" />
    <author>
      <name>Meyler, Samuel</name>
    </author>
    <author>
      <name>Porteiro, Tiago</name>
    </author>
    <author>
      <name>Mainen, Zachary</name>
    </author>
    <id>http://hdl.handle.net/10174/42561</id>
    <updated>2026-09-08T11:37:48Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Biological motion: a quantification tool for actors? A brief experiment and commentary
Authors: Meyler, Samuel; Porteiro, Tiago; Mainen, Zachary
Abstract: This short communication documents an attempt to use biological motion as a quantification tool to capture potential improvements in actors specialising in physical&#xD;
theatre. More concretely, a psychophysics measurement using biological motion was introduced at two time points in their training to examine if performance in the&#xD;
perception of human movement had significantly improved. It was hypothesised that students undergoing an intense training program in human movement would show a&#xD;
corresponding improvement in the psychophysics tests of biological motion.&#xD;
Architecture students and physical theatre teachers were used as controls. No significant difference was found in either control groups when compared to the theatre students, contrary to what was hypothesised. Interpretation of the results is briefly discussed.</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Provocações na criação da personagem: tensões entre ficção e atuação orgânica no Chá das 3</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/42304" />
    <author>
      <name>Lemos, Vitor</name>
    </author>
    <id>http://hdl.handle.net/10174/42304</id>
    <updated>2026-07-03T15:28:51Z</updated>
    <published>2015-01-01T00:00:00Z</published>
    <summary type="text">Title: Provocações na criação da personagem: tensões entre ficção e atuação orgânica no Chá das 3
Authors: Lemos, Vitor
Abstract: Vitor Lemos apresenta e comenta o seu trabalho como provocador das atrizes Helena Varvaki, Monica Emilio e Ana Achcar na criação do espetáclo Chá das 3.</summary>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Laboratório de atuação: circunstância de entrega do ator/atriz</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/42298" />
    <author>
      <name>Lemos, Vitor</name>
    </author>
    <id>http://hdl.handle.net/10174/42298</id>
    <updated>2026-07-03T15:24:44Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Laboratório de atuação: circunstância de entrega do ator/atriz
Authors: Lemos, Vitor
Abstract: O artigo reflete sobre a importância de um laboratório de atuação nos dias de hoje a partir das motivações e de certas premissas da investigação em curso no estúdio O canto do Bode (Lisboa)</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Universidade e Arte. Ensino e Investigaçao. Bonecos de Santo Aleixo e Teatro Dom Roberto</title>
    <link rel="alternate" href="http://hdl.handle.net/10174/42271" />
    <author>
      <name>Zurbach, Christine</name>
    </author>
    <id>http://hdl.handle.net/10174/42271</id>
    <updated>2026-07-03T15:08:55Z</updated>
    <published>2026-04-30T23:00:00Z</published>
    <summary type="text">Title: Universidade e Arte. Ensino e Investigaçao. Bonecos de Santo Aleixo e Teatro Dom Roberto
Authors: Zurbach, Christine
Editors: Vasconcelos Vilar, Hermínia; Marujo, Noemi
Abstract: O texto apresenta alguns aspectos relevantes par a caracterização da relação entre investigação e artes no âmbito privilegiado proporcionado pela Universidade de Évora. As matérias tratadas incidem em formas tradicionais do teatro de marionetas em Portugal; os Bonecos de Santo Aleixo e o Teatro Dom Roberto.</summary>
    <dc:date>2026-04-30T23:00:00Z</dc:date>
  </entry>
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