<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel rdf:about="http://hdl.handle.net/10174/14305">
    <title>DSpace Community:</title>
    <link>http://hdl.handle.net/10174/14305</link>
    <description />
    <items>
      <rdf:Seq>
        <rdf:li rdf:resource="http://hdl.handle.net/10174/41872" />
        <rdf:li rdf:resource="http://hdl.handle.net/10174/41775" />
        <rdf:li rdf:resource="http://hdl.handle.net/10174/41735" />
        <rdf:li rdf:resource="http://hdl.handle.net/10174/41604" />
      </rdf:Seq>
    </items>
    <dc:date>2026-04-21T18:24:22Z</dc:date>
  </channel>
  <item rdf:about="http://hdl.handle.net/10174/41872">
    <title>A Survey of Comments Regarding Movement and Posture as Found in Selected Methods for Marimba Commonly Used in Brazil</title>
    <link>http://hdl.handle.net/10174/41872</link>
    <description>Title: A Survey of Comments Regarding Movement and Posture as Found in Selected Methods for Marimba Commonly Used in Brazil
Authors: Misina, Guilherme; Lopes, Eduardo; Froleyks, Stephan
Editors: Mattingly, Rick
Abstract: This article is an excerpt of an&#xD;
ongoing PhD project that deals&#xD;
with movements and posture&#xD;
related to marimba performance.&#xD;
It describes current methods as&#xD;
well as the possible development of exercises&#xD;
and methods related to these topics&#xD;
for both practice and performance.&#xD;
Though movement and posture are&#xD;
generally less discussed than other technical&#xD;
and musical aspects of marimba performance,&#xD;
the methods examined in this&#xD;
study, all written by highly skilled and&#xD;
respected musicians, each contain significant&#xD;
information on the topic and should&#xD;
serve as a basis of study for all students.&#xD;
Hopefully, the completed study will deliver&#xD;
comprehensive, complete, and coherent&#xD;
materials that will assist students&#xD;
of all levels in their approaches to the&#xD;
practice and performance of the marimba.</description>
    <dc:date>2026-03-31T23:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/10174/41775">
    <title>Cross Media Arts: Creative Assemblages for Social Impact — The Case of Five Centuries, Fifty Years: An Evocation of the University of Évora</title>
    <link>http://hdl.handle.net/10174/41775</link>
    <description>Title: Cross Media Arts: Creative Assemblages for Social Impact — The Case of Five Centuries, Fifty Years: An Evocation of the University of Évora
Authors: Marques, Mario
Abstract: This paper analyses Five Centuries, Fifty Years: An Evocation of the University of Evora (2024) as a case study in Cross Media Arts, highlighting how interdisciplinary artistic assemblages foster educational, cultural, and social impact. Combining video mapping, music, theatre, architecture, and digital design, the project transformed the Main Cloister of the Colegio do Espírito Santo into an immersive environment celebrating heritage and collaboration. Grounded in theories of media convergence, relational aesthetics, and participatory art, it examines implications for creative education and sustainable practice, showing how experiential learning and environmentally responsible strategies position universities as hubs for innovation and social engagement.</description>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/10174/41735">
    <title>The organ of the parish Church of Nossa Senhora da Conceição, Angra do Heroísmo, Terceira Island (Azores): some notes</title>
    <link>http://hdl.handle.net/10174/41735</link>
    <description>Title: The organ of the parish Church of Nossa Senhora da Conceição, Angra do Heroísmo, Terceira Island (Azores): some notes
Authors: Henriques, Luís
Abstract: This text presents an overview of the organ now in the parish Church of Nossa Senhora da Conceição in the town of Angra do Heroísmo in Terceira Island (Azores). This instrument, built by Portuguese organbuilder António Xavier Machado e Cerveira in 1815, originally belonged to the Convent of Luz in Praia da Vitória being purchased for the Collegiate of Conceição soon after the extinction of the religious orders in Portugal in 1834.</description>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/10174/41604">
    <title>Canto Mensurable Vol. 3</title>
    <link>http://hdl.handle.net/10174/41604</link>
    <description>Title: Canto Mensurable Vol. 3
Authors: Henriques, Luís
Editors: Henriques, Luís
Abstract: The third volume of the Canto Mensurable blog, comprising the posts published in the blog's website throughout the 2023 year.</description>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </item>
</rdf:RDF>

