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    <title>DSpace Collection:</title>
    <link>http://hdl.handle.net/10174/633</link>
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    <pubDate>Fri, 05 Jun 2026 05:52:59 GMT</pubDate>
    <dc:date>2026-06-05T05:52:59Z</dc:date>
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      <title>Brave Women. The path of a collaborative dramaturgy between the stones of the city and the boards of the theatre</title>
      <link>http://hdl.handle.net/10174/42057</link>
      <description>Title: Brave Women. The path of a collaborative dramaturgy between the stones of the city and the boards of the theatre
Authors: Bezelga, Isabel
Editors: Lima, Evelyn; Drago, Niuxa; Lyra, Carolina
Abstract: his chapter aims to discuss issues related to the project As Bravas: silenced voices and female invisibility, developed within the scope of the research we are conducting at the Centre for Art History and Artistic Research (CHAIA), at the University of Évora, Portugal. Continuing our research on Performance, heritage and community, we focused on performative creation as a way of questioning the historical invisibility of women, giving space and voice to the silences that span centuries, deepening the processes of collaborative dramaturgy, not only as a method of sharing authorship, but as a political and poetic gesture of reinscribing collective memory.</description>
      <pubDate>Thu, 30 Apr 2026 23:00:00 GMT</pubDate>
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      <dc:date>2026-04-30T23:00:00Z</dc:date>
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    <item>
      <title>Apresentação.</title>
      <link>http://hdl.handle.net/10174/41807</link>
      <description>Title: Apresentação.
Authors: Oliveira, Jorge; Rocha, Leonor; Almeida, Nelson
Editors: Oliveira, Jorge; Rocha, Leonor; Almeida, Nelson
Abstract: Trinta anos decorridos sobre a escavação, colagem e re-ereção do Menhir da Meada, o maior da Península ibérica e até ao momento o mais antigo do mundo (6º milénio aC), entendeu o Laboratório de Arqueologia da Universidade de Évora promover um encontro científico para o qual foram convidados todos os arqueólogos que desenvolveram ações semelhantes em monumentos megalíticos em Portugal, Espanha e França e investigadores das áreas da geologia e da química onde&#xD;
foram apresentados e discutidas as ações e metodologias de recuperação de monumentos préhistóricos de grande dimensão e respetivos resultados.</description>
      <pubDate>Sun, 01 Mar 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/10174/41807</guid>
      <dc:date>2026-03-01T00:00:00Z</dc:date>
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    <item>
      <title>Reabilitar Megalitismo… Recuperar Património: 25 anos de investigação.</title>
      <link>http://hdl.handle.net/10174/41769</link>
      <description>Title: Reabilitar Megalitismo… Recuperar Património: 25 anos de investigação.
Authors: Rocha, leonor
Editors: Oliveira, Jorge; Rocha, Leonor; Almeida, Nelson
Abstract: Pretende-se, com este trabalho, apresentar alguns exemplos de reabilitação de monumentos megalíticos realizados pela signatária desde 1998, no âmbito de inúmeros projetos de investigação.&#xD;
O estudo científico de um qualquer monumento megalítico passa por diferentes tipos de ações,desde a sua identificação, à escavação, estudos gerais e/ou específicos sobre espólios e arquiteturas,que deve terminar, sempre que possível, com a sua valorização e fruição pública.&#xD;
Nesta perspetiva, os trabalhos arqueológicos realizados podem incidir sobre monumentos que, à partida, já se encontram em evidente estado de degradação ou, pode ser no âmbito da escavação que, por razões várias, venham a surgir problemas estruturais. Em qualquer dos casos, acaba por se verificar a necessidade de se proceder a ações de conservação/ reabilitação para os quais, muitas&#xD;
vezes, o arqueólogo não possui o adequado apoio técnico, mas que tem de executar da melhor forma.&#xD;
Refletir sobre mais de 25 anos de trabalhos de conservação e restauro realizados em monumentos megalíticos, funerários e não funerários, no Alentejo, analisando o modo como se procedeu a diferentes reabilitações em termos estruturais e os respetivos resultados, parece-nos ser importante no sentido de avaliar ações antigas, mas, também, melhorar intervenções futuras.</description>
      <pubDate>Sun, 01 Mar 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/10174/41769</guid>
      <dc:date>2026-03-01T00:00:00Z</dc:date>
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    <item>
      <title>Community Intergenerational Perforamance for Challenging Age Prejudices</title>
      <link>http://hdl.handle.net/10174/41610</link>
      <description>Title: Community Intergenerational Perforamance for Challenging Age Prejudices
Authors: Bezelga, Isabel; Moya Pellitero, Ana María
Editors: Rotondi, Armando
Abstract: The region of Alentejo, in Portugal, is considered a European rural region, with more than 23% of its population over 65 years old (Eurostat 2020 – Aging Europe 2020). The majority of them are in danger of isolation, which has an impact on the older population’s mental health. Therefore, engaging in a creative process of community intergenerational performance strengthens solidarity, especially between young people and seniors, avoiding loneliness. &#xD;
The Centre of Art History and Artistic Research (U Évora), located in Alentejo province, will engage with a community intergenerational performative-based research involving active social participation, active ageing and well-being, intergenerational learning and experience sharing with senior residents of Evora municipality. This research will involve the participation of 40 senior residents and University students from visual arts and performance studies. We will run a 6-month artistic research process with the community, during which participants will have talks, presentations, team building and creative sessions/workshops. We will work with memories, embodied experiences, embodied knowledge, and image-building about the urban-rural landscape. Sharing and participatory creative dialogue will involve creative processes aiming at two interactive performances in public spaces in the city of Évora.&#xD;
With this presentation we will discuss the ongoing results of this intergenerational community performative research, which belongs to a broader international project, “Age Against the Machine”, European Network of CERV Cities project, funded by the European CERV programme, with a network of six partners: (Red Cross of Serbia (Serbia), Trupa Drž ne daj (Serbia), Teatr Brama (Poland), Nordisk Teaterlaboratorium Odin Teatret (Denmark), University of Évora (Portugal) and Comppagnia Il Melrancio (Italy). &#xD;
Five Festivals are planned to exchange experiences, process implementation, and different and diverse approaches for reflecting on intergenerational performance. Through intergenerational community collaboration in a performative way, the project aims to challenge existing European policies concerning older populations, promoting equality and human rights as fundamental EU values.</description>
      <pubDate>Mon, 30 Sep 2024 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/10174/41610</guid>
      <dc:date>2024-09-30T23:00:00Z</dc:date>
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