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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/40642
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| Title: | Up Start: Community-Based Creative Industries |
| Authors: | Reaes Pinto, Paula Gorgel Pinto, António Rodrigues, Paulo Djassi, Filomena |
| Editors: | IAFOR, IAFOR |
| Keywords: | Entrepreneurship Participation Arts and Crafts Social Design Heritage Creative Conservation |
| Issue Date: | 2023 |
| Publisher: | iafor The International Academic Forum |
| Citation: | Reaes Pinto P., Pinto A., Rodrigues P., & Djassi F. (2023) Up Start: Community-Based Creative Industries ISSN: 2758-0970 The Paris Conference on Arts & Humanities 2023 Official Conference Proceedings (pp. 137-144) https://doi.org/10.22492/issn.2758-0970.2023.11 |
| Abstract: | Up Start: Community-Based Creative Industries
Paula Reaes Pinto, University of Évora–CHAIA, Portugal
António Gorgel Pinto, Universidade Europeia, Portugal
Paulo Simões Rodrigues, University of Évora–CHAIA, Portugal
Filomena Djassi, Aga Khan Foundation, Portugal
The Paris Conference on Arts & Humanities 2023
Official Conference Proceedings
Abstract
The article focuses on the Up Start – Creative Industries project, an initiative by the Aga
Khan Foundation Portugal in partnership with the University of Évora, under the scope of the
Partnerships for Impact Programme and Portugal Social Innovation. The interaction between
the two institutions focused on design for social innovation, heritage and management with
the primary objective of creating a model of creative and cultural entrepreneurship for
vulnerable communities to integrate these people economically, socially and culturally
through co-creation practices at a local level. The project also aimed to test an Acceleration
and Incubation Programme, including the strengthening of craft technical skills, production
opportunities, personalised mentoring, and the creation of funding for the development of
micro-enterprises that value design methods, craft and artistic techniques and knowledge, and
cultural heritage as factors for innovation. To improve the living conditions of the
communities involved in the project, namely the migrant populations in the Lisbon
metropolitan area, the techniques, arts and crafts developed by migrants from their cultural
heritage were identified and mapped. As part of the project's results, surveys involving all
participants were carried out to understand the impact that this action had on their lives.
Keywords: Entrepreneurship, Participation, Arts and Crafts, Social Design, Heritage,
Creative Conservation |
| URI: | https://doi.org/10.22492/issn.2758-0970.2023.11 http://hdl.handle.net/10174/40642 |
| Type: | article |
| Appears in Collections: | CHAIA - Artigos em Livros de Actas/Proceedings
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