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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/40726
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| Title: | Up Start–Creative Industries. Assemblage for Immigrant Integration and Creative Heritage Preservation |
| Authors: | Reaes Pinto, Paula Gorgel Pinto, António |
| Editors: | Reaes Pinto, Paula Gorgel Pinto, António Rodrigues, Paulo |
| Keywords: | Social design Cultural entrepreneurship E-commerce |
| Issue Date: | 2024 |
| Publisher: | Springer |
| Citation: | Reaes Pinto, P., Gorgel Pinto, A., Rodrigues, P. (2024) Up Start–Creative Industries. Assemblage for Immigrant Integration and Creative Heritage Preservation. In Stephanidis, C., Antona, M., Ntoa, S., Salvendy, G. (eds.), HCI International 2023 – Late Breaking Posters. Communications in Computer and Information Science, vol 1957. Springer, Cham. https://doi.org/10.1007/978-3-031-49212-9_67
DOI: 10.1007/978-3-031-49212-9_67 |
| Abstract: | Abstract. The Up Start-Creative Industries is the result of a collaboration between
the Aga Khan Foundation and the University of Évora (UÉ), financed by the Por-
tugal Social Innovation program. It focuses on a synergy founded in design for
social innovation, heritage, and management. Within this collaboration, the UÉ has
been conducting research on constructing an alternative economic model based
on socio-cultural innovation and creative ways with disenfranchised individuals.
The hypothesis advanced by the Up Start initiative is based on the possibility of
leveraging participants’ income and improving living conditions for the commu-
nities involved – migrant groups from the Lisbon metropolitan area – through the
development of cultural and creative industries, beginning with the identification
and mapping of methods, arts, and crafts created by migrants from their cultural
heritage.
The paper is composed of three parts: the first part critically analyses the
network of interactions between all actors involved in the project, the creation
of the Bandim cooperative, and the production of handicrafts, in the light of the
concept of assemblage, by the philosophers Deleuze and Guattari; the second part
investigates how the preservation of cultural heritage is a key factor for the devel-
opment of an alternative form of entrepreneurship of disenfranchised people; and
the third and last part makes a critical reflection on how Human-Computer Interac-
tion (HCI) and e-commerce can improve communication, access to information,
collaboration, and economic sustainability of social and cultural projects such as
the Bandim cooperative.
Keywords: Social design· Cultural entrepreneurship· E-commerce |
| URI: | https://doi.org/10.1007/978-3-031-49212-9_67 http://hdl.handle.net/10174/40726 |
| Type: | article |
| Appears in Collections: | CHAIA - Artigos em Livros de Actas/Proceedings
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